Apple Prores 4444 Xq Codec Mac
ProRes 4444 and ProRes 4444 XQ are lossy video compression formats developed by Apple Inc. For use in post-production and include support for an alpha channel. ProRes 4444 was introduced with Final Cut Studio (2009) 6 as another in the company's line of intermediate codecs for editing material but not for final delivery.
At the time of this writing, the members of the Apple ProRes family (in ascending order) are ProRes 422 Proxy, ProRes 422 LT, ProRes 422, ProRes 422 HQ, ProRes 4444, and ProRes 4444 XQ. 10 Important Things about ProRes You Should Know. Inception and Vendor; ProRes was first released in the year 2007 by Apple along with Final Cut Studio 2. Hello, I am a 2D animator working mostly with Adobe on my mac. I create a lot of animations with transparent backgrounds. I'm trying to move from mac to windows and I need this apple prores 4444 codec.
Hi, I am on a Mac and have Compressor installed, which lists all of the Apple ProRes codecs. However in Media Encoder, all are listed except for the 4444 XQ. Apple ProRes codecs take full advantage of multicore. Apple ProRes 4444 XQ is the highest-quality version of Apple. Call 1-800-MY-APPLE, or find a reseller. Apple ProRes White Paper. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel up to 16 bits.
All Apple ProRes codecs support all frame sizes (including SD, HD, 2K, 4K, and 5K) at full resolution. The data rates vary based on codec type, image content, frame size, and frame rate. Apple ProRes includes the following formats.
To bring the same performance, quality, and ease of use introduced by Apple ProRes to raw media, use Apple ProRes RAW. Learn more about ProRes RAW.
Apple ProRes 4444 XQ*
Apple ProRes 4444 XQ is the highest-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This format has a very high data rate to preserve the detail in high-dynamic-range imagery generated by today’s highest-quality digital image sensors. Apple ProRes 4444 XQ preserves dynamic ranges several times greater than the dynamic range of Rec. 709 imagery. This holds true even against the rigors of extreme visual effects processing in which tone-scale blacks or highlights are stretched significantly. Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. Apple ProRes 4444 XQ features a target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps.
ProRes 4444 XQ is supported on OS X Mountain Lion v10.8 or later.
Apple ProRes 4444*
Apple ProRes 4444 is an extremely high-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This codec features full-resolution, mastering-quality 4:4:4:4 RGBA color, and visual fidelity that is perceptually indistinguishable from the original material. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. It has a target data rate of approximately 330 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps. It also offers direct encoding of and decoding to both RGB and Y’CBCR pixel formats.
Apple ProRes 422 HQ
Apple ProRes 422 HQ is a higher-data-rate version of Apple ProRes 422 that preserves visual quality at the same high level as Apple ProRes 4444 but for 4:2:2 image sources. With widespread adoption across the video post-production industry, Apple ProRes 422 HQ offers visually lossless preservation of the highest-quality professional HD video that a single-link HD-SDI signal can carry. This codec supports full-width, 4:2:2 video sources at 10-bit pixel depths, while remaining visually lossless through many generations of decoding and reencoding. The target data rate is approximately 220 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422
Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. The target data rate is approximately 147 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422 LT
Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. This codec is perfect for environments where storage capacity and data rate are at a premium. The target data rate is approximately 102 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422 Proxy
Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. The target data rate is approximately 45 Mbps at 1920x1080 and 29.97 fps.
* Apple ProRes 4444 and Apple ProRes 4444 XQ are ideal for the exchange of motion graphics media because they are virtually lossless. They are also the only Apple ProRes codecs that support alpha channels.
Posted by Candice Liu to Video Converter, Convert ProRes | Updated on Feb 23, 2019
Prores Codec For Windows
Is there any proper ProRes converter to transcode Apple ProRes 422, ProRes 4444 on Mac/Win?
As is known to all, ProRes is a codec developed by Apple Inc., which provides an unparalleled combination of multistream, real-time editing performance, impressive image quality, and reduced storage rates. It was first introduced in 2007 with Final Cut Studio 2. Actually, ProRes is the best video format supported by FCP 7 and FCP X for video editing. After all, rendering H.264 on Final Cut Pro may more or less degrade video image quailty, but ProRes will ensure a smooth editing process with highest quality. If you care more about the video quality and the efficiency of editing, it's necessary to convert MTS, AVCHD, MKV and more videos shot by camcorders to ProRes for editing on Final Cut Pro.
Apple Prores
On the other hand, comparing to H.264/AVCHD, Apple ProRes delivers a crazy big size of videos, especially in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ. For example, I've been edit a 30 minutes video (less than 6GB) in Final Cut Pro, yet getting a 130GB with 26 videos after rendering ProRes finally. Lookshorrible! Worse still, PreRes videos has poor compatibility, which only supports watching on QuickTime Player and VLC currently. Thus, if you get some videos in ProRes codec and want to play them on your iPhone iPad Android devices or other media players, you need an Apple ProRes converter to convert ProRes to MP4, MOV, FLV, AVI, etc.